Find the lightest and darkest colors for every project
Compare 148 named CSS colors by relative luminance, with hex codes and hue values to help plan bright, readable preschool crafts and clay activities.
This table ranks 100 CSS named colors by Relative Luminance, highest first, with Relative Luminance, Hex Code, Hue for every entry and a one-line reason for each position. The figures are model-estimated, not measured; the method and its limits are below. At the top: White at 100.
Click any column header to sort; type in the filter box to narrow the 100 rows.
Model-estimated ranking, methodology below. Every figure is an estimate produced for this table, not a measurement; treat the order as directional.
| # | Color Name | Relative Luminance (%) | Hex Code | Hue (degrees) | Rationale |
|---|---|---|---|---|---|
| 1 | White | 100 | #FFFFFF | 0 | All three RGB channels are at maximum intensity, giving White the highest possible luminance. |
| 2 | Ivory | 99.07 | #FFFFF0 | 60 | Maximum red and green with only a slight blue reduction keeps Ivory extremely close to pure white. |
| 3 | LightYellow | 98.16 | #FFFFE0 | 60 | Full red and green channels dominate its modest blue reduction, producing exceptionally high brightness. |
| 4 | MintCream | 97.83 | #F5FFFA | 150 | A full green channel and near-maximum red and blue make MintCream one of the brightest named colors. |
| 5 | Azure | 97.27 | #F0FFFF | 180 | Full green and blue channels outweigh Azure's small red reduction under the luminance formula. |
| 6 | Snow | 96.53 | #FFFAFA | 0 | Snow has maximum red and nearly maximum green and blue, placing it just below the brightest off-whites. |
| 7 | Honeydew | 96.34 | #F0FFF0 | 120 | Its full green channel carries strong luminance while red and blue remain very high. |
| 8 | FloralWhite | 95.92 | #FFFAF0 | 40 | Full red, near-full green, and softly reduced blue give FloralWhite a warm but very bright appearance. |
| 9 | LightCyan | 94.59 | #E0FFFF | 180 | Maximum green and blue keep LightCyan highly luminous despite its more noticeable red reduction. |
| 10 | GhostWhite | 94.31 | #F8F8FF | 240 | Near-maximum red and green with full blue produce a cool white of very high luminance. |
| 11 | LemonChiffon | 94.04 | #FFFACD | 54 | Maximum red and near-maximum green offset its lower blue channel, preserving strong brightness. |
| 12 | Cornsilk | 93.56 | #FFF8DC | 48 | Cornsilk stays bright through full red and very high green, while reduced blue adds its creamy tone. |
| 13 | LightGoldenrodYellow | 93.35 | #FAFAD2 | 60 | Equal near-maximum red and green channels give it high brightness despite a moderately lower blue value. |
| 14 | AliceBlue | 92.88 | #F0F8FF | 208 | Full blue and high green compensate for its reduced red, placing AliceBlue among the brightest pale colors. |
| 15 | Yellow | 92.78 | #FFFF00 | 60 | Full red and green create very high luminance even though the blue channel is completely absent. |
| 16 | Seashell | 92.74 | #FFF5EE | 24.71 | Full red and high green and blue make Seashell nearly as luminous as saturated Yellow. |
| 17 | OldLace | 91.9 | #FDF5E6 | 39.13 | Very high red and green values maintain strong luminance while its lower blue creates a warm cast. |
| 18 | WhiteSmoke | 91.31 | #F5F5F5 | 0 | Equal high RGB channels make WhiteSmoke achromatic and bright, though uniformly dimmer than pure white. |
| 19 | LavenderBlush | 90.17 | #FFF0F5 | 340 | Maximum red with high green and blue yields a luminous pale pink just below WhiteSmoke. |
| 20 | Beige | 89.88 | #F5F5DC | 60 | High equal red and green channels keep Beige bright while its reduced blue supplies the muted yellow tint. |
| 21 | Linen | 88.36 | #FAF0E6 | 30 | Linen's descending red, green, and blue values create a warm off-white with slightly lower brightness. |
| 22 | PapayaWhip | 87.8 | #FFEFD5 | 37.14 | Full red and strong green preserve brightness, but its lower blue moves it below the paler neutrals. |
| 23 | BlanchedAlmond | 85.08 | #FFEBCD | 36 | A full red channel cannot fully offset its larger green and blue reductions under perceptual weighting. |
| 24 | AntiqueWhite | 84.65 | #FAEBD7 | 34.29 | High but reduced values across all channels give AntiqueWhite a softer luminance than BlanchedAlmond. |
| 25 | MistyRose | 82.18 | #FFE4E1 | 6 | Full red is paired with noticeably lower green and blue, making MistyRose the least bright color in this group. |
| 26 | aquamarine | 80.79 | #7FFFD4 | 159.84 | Its full green channel and strong blue channel produce the highest luminance in this group. |
| 27 | bisque | 80.73 | #FFE4C4 | 32.54 | High red and green values make this pale warm color nearly as bright as aquamarine. |
| 28 | greenyellow | 80.61 | #ADFF2F | 83.65 | A maximum green channel drives its high luminance despite the relatively low blue value. |
| 29 | lavender | 80.32 | #E6E6FA | 240 | All three channels are high, placing this pale blue-violet among the brightest named colors. |
| 30 | moccasin | 80.08 | #FFE4B5 | 38.11 | Maximum red and strong green keep this warm cream just above the 80 percent level. |
| 31 | palegoldenrod | 78.79 | #EEE8AA | 54.71 | Strong red and green channels give this muted yellow a high relative luminance. |
| 32 | aqua | 78.74 | #00FFFF | 180 | Full green and blue offset the absent red channel, yielding the same brightness as cyan. |
| 33 | cyan | 78.74 | #00FFFF | 180 | This exact alias of aqua combines full green and blue for identical luminance. |
| 34 | palegreen | 77.94 | #98FB98 | 120 | Its near-maximum green channel dominates the luminance calculation. |
| 35 | khaki | 77.01 | #F0E68C | 54 | High red and green values make this subdued yellow brighter than most saturated colors. |
| 36 | navajowhite | 76.52 | #FFDEAD | 35.85 | Maximum red and strong green produce a bright cream tone with moderate blue. |
| 37 | paleturquoise | 76.44 | #AFEEEE | 180 | Equal high green and blue channels keep this pale cyan close behind navajowhite. |
| 38 | chartreuse | 76.03 | #7FFF00 | 90.12 | A full green channel supplies most of its brightness while blue contributes nothing. |
| 39 | peachpuff | 74.91 | #FFDAB9 | 28.29 | Maximum red and substantial green create nearly the same luminance as wheat. |
| 40 | wheat | 74.91 | #F5DEB3 | 39.09 | Its balanced high red and green channels narrowly place it above peachpuff. |
| 41 | lawngreen | 73.91 | #7CFC00 | 90.48 | Near-maximum green makes this vivid yellow-green bright despite having no blue. |
| 42 | springgreen | 73.05 | #00FF7F | 149.88 | Full green provides most of its luminance, with moderate blue adding a small amount. |
| 43 | gainsboro | 71.57 | #DCDCDC | 0 | Equal light-gray channels yield high luminance, while its achromatic hue is conventionally zero. |
| 44 | lime | 71.52 | #00FF00 | 120 | Its full green channel alone creates nearly the same luminance as gainsboro. |
| 45 | mediumspringgreen | 70.7 | #00FA9A | 156.96 | Very strong green and moderate blue keep this saturated cyan-green above gold. |
| 46 | gold | 69.86 | #FFD700 | 50.59 | Maximum red and strong green give gold substantial brightness without any blue. |
| 47 | lightgreen | 69.09 | #90EE90 | 120 | A strong green channel lifts this pastel green above similarly pale blue shades. |
| 48 | powderblue | 68.25 | #B0E0E6 | 186.67 | High green and blue values make this pale cyan-blue brighter than the light-gray pair. |
| 49 | lightgray | 65.14 | #D3D3D3 | 0 | Three equal light channels create moderate-high luminance with no meaningful chromatic hue. |
| 50 | lightgrey | 65.14 | #D3D3D3 | 0 | This spelling alias of lightgray has the same RGB value, luminance, and achromatic hue. |
| 51 | lightblue | 63.71 | #ADD8E6 | 194.74 | Its high red, green, and blue channels yield 63.71% WCAG luminance, highest in this segment. |
| 52 | pink | 63.27 | #FFC0CB | 349.52 | Full red and strong green and blue channels keep this pale pink at 63.27% luminance. |
| 53 | turquoise | 58.96 | #40E0D0 | 174 | A dominant green channel and strong blue channel produce 58.96% luminance. |
| 54 | lightpink | 58.57 | #FFB6C1 | 350.96 | Full red with moderately high green and blue gives this tint 58.57% luminance. |
| 55 | thistle | 56.82 | #D8BFD8 | 300 | Balanced high red and blue with softer green result in 56.82% luminance. |
| 56 | lightskyblue | 56.19 | #87CEFA | 202.96 | Very high blue and strong green offset its lower red channel for 56.19% luminance. |
| 57 | skyblue | 55.29 | #87CEEB | 197.4 | Strong green and blue channels place this airy blue at 55.29% luminance. |
| 58 | lightsteelblue | 53.98 | #B0C4DE | 213.91 | Three relatively high channels create a muted blue with 53.98% luminance. |
| 59 | silver | 52.71 | #C0C0C0 | 0 | Equal mid-high RGB channels yield 52.71% luminance; its achromatic hue is conventionally recorded as 0°. |
| 60 | burlywood | 51.56 | #DEB887 | 33.79 | High red and substantial green give this warm tan 51.56% luminance. |
| 61 | mediumturquoise | 51.34 | #48D1CC | 177.81 | Its strong green and blue channels produce 51.34% luminance despite limited red. |
| 62 | yellowgreen | 50.76 | #9ACD32 | 79.74 | A strong green channel drives this yellow-green color to 50.76% luminance. |
| 63 | mediumaquamarine | 49.39 | #66CDAA | 159.61 | High green with moderate blue and red produces 49.39% luminance. |
| 64 | darkturquoise | 48.75 | #00CED1 | 180.86 | Strong green and blue compensate for zero red, resulting in 48.75% luminance. |
| 65 | tan | 48.24 | #D2B48C | 34.29 | Its warm mix of high red, moderate green, and softer blue yields 48.24% luminance. |
| 66 | orange | 48.17 | #FFA500 | 38.82 | Full red and substantial green produce 48.17% luminance despite the absent blue channel. |
| 67 | lightsalmon | 47.81 | #FFA07A | 17.14 | Full red with moderate green and blue places this pale orange-pink at 47.81% luminance. |
| 68 | sandybrown | 46.63 | #F4A460 | 27.57 | High red and moderate green create a warm shade with 46.63% luminance. |
| 69 | darkkhaki | 45.75 | #BDB76B | 55.61 | Similar red and green levels keep this muted yellow at 45.75% luminance. |
| 70 | plum | 45.73 | #DDA0DD | 300 | High red and blue with moderate green produce 45.73% luminance, just below darkkhaki. |
| 71 | limegreen | 44.57 | #32CD32 | 120 | Its dominant green channel drives 44.57% luminance while red and blue remain low. |
| 72 | deepskyblue | 44.48 | #00BFFF | 195.06 | Full blue and strong green yield 44.48% luminance despite having no red. |
| 73 | darkseagreen | 43.79 | #8FBC8F | 120 | A moderately strong green channel and balanced red-blue pair produce 43.79% luminance. |
| 74 | goldenrod | 41.92 | #DAA520 | 42.9 | High red and moderate green create its golden tone while limiting luminance to 41.92%. |
| 75 | darksalmon | 40.54 | #E9967A | 15.14 | Its high red and moderate green channels make it the brightest remaining named color. |
| 76 | violet | 40.32 | #EE82EE | 300 | High red and blue are tempered by a lower green channel, resulting in 40.32% luminance. |
| 77 | darkorange | 40.02 | #FF8C00 | 32.94 | Full red plus substantial green gives this orange nearly as much luminance as darksalmon. |
| 78 | darkgray | 39.68 | #A9A9A9 | 0 | Three equal, moderately high RGB channels produce strong neutral luminance; its hue is undefined. |
| 79 | darkgrey | 39.68 | #A9A9A9 | 0 | This alternate spelling shares darkgray's RGB value and undefined achromatic hue. |
| 80 | coral | 37.02 | #FF7F50 | 16.11 | Full red and midlevel green keep this warm orange-pink relatively bright. |
| 81 | salmon | 36.98 | #FA8072 | 6.18 | Near-full red and balanced secondary channels place it just below coral. |
| 82 | lightcoral | 35.52 | #F08080 | 0 | High red with equal midlevel green and blue creates a bright, muted red. |
| 83 | lightseagreen | 35.05 | #20B2AA | 176.71 | Its strong green channel drives high luminance despite the low red component. |
| 84 | hotpink | 34.66 | #FF69B4 | 330 | Full red and substantial blue offset its lower green channel. |
| 85 | mediumseagreen | 34.39 | #3CB371 | 146.72 | A strong green channel gives this medium green nearly as much brightness as hotpink. |
| 86 | orchid | 31.35 | #DA70D6 | 302.26 | High red and blue values make this purple brighter than most saturated violet colors. |
| 87 | tomato | 30.64 | #FF6347 | 9.13 | Full red with modest green yields a moderately bright red-orange. |
| 88 | cornflowerblue | 30.32 | #6495ED | 218.54 | A high blue value and moderate green place this soft blue just below tomato. |
| 89 | peru | 30.11 | #CD853F | 29.58 | Its medium-high red and green components give this brown-orange solid luminance. |
| 90 | palevioletred | 28.75 | #DB7093 | 340.37 | High red balanced by moderate green and blue keeps this muted pink above pure magenta. |
| 91 | fuchsia | 28.48 | #FF00FF | 300 | Full red and blue contribute moderate luminance, while the absent green limits brightness. |
| 92 | magenta | 28.48 | #FF00FF | 300 | This synonym of fuchsia has identical full red and blue channels and the same luminance. |
| 93 | dodgerblue | 27.44 | #1E90FF | 209.6 | Its moderate green channel contributes more luminance than its full blue channel. |
| 94 | orangered | 25.52 | #FF4500 | 16.24 | Full red raises its brightness, but low green and absent blue keep it below dodgerblue. |
| 95 | chocolate | 23.9 | #D2691E | 25 | Moderate red and green make this brown-orange slightly brighter than deeppink. |
| 96 | deeppink | 23.87 | #FF1493 | 327.57 | Full red sustains its luminance, though very little green sharply limits brightness. |
| 97 | lightslategray | 23.83 | #778899 | 210 | Evenly stepped RGB channels create a subdued blue-gray just below deeppink. |
| 98 | lightslategrey | 23.83 | #778899 | 210 | This spelling variant has the same subdued blue-gray value as lightslategray. |
| 99 | mediumpurple | 22.91 | #9370DB | 259.63 | High blue and moderate red are tempered by a lower green channel. |
| 100 | olivedrab | 22.59 | #6B8E23 | 79.63 | Its moderate green channel gives this dark yellow-green the last place in this segment. |
Methodology. Brightness is calculated from each CSS named color's standard hexadecimal value using the WCAG relative-luminance formula, then expressed as a percentage. Hue is derived from the same digital RGB value. Screens, printers, paint, dough, and clay may reproduce colors differently, while achromatic colors have no meaningful hue. Rows are ranked by Relative Luminance (highest first); the rationale column states why each entry sits where it does.
How This Ranking Was Built
Brightness is calculated from each CSS named color’s standard hexadecimal value using the WCAG relative-luminance formula, then expressed as a percentage. Hue is derived from the same digital RGB value. Screens, printers, paint, dough, and clay may reproduce colors differently, while achromatic colors have no meaningful hue. This is a model-estimated ranking: the values were produced by a language model asked for consistent estimates across rows, then sorted and rank-checked by code. Treat the order as directional and check any single figure against a primary source before relying on it.